If, at an optimistic estimate, only ten percent of the works written in the world’s creations find their way to the public, what hope does a work by a female composer have?
At a time when in advanced countries there are quotas for the works played by state orchestras to bridge the gap between male and female composers, and other marginalized groups, what exactly does a female composer in Greece hope for?
A rhetorical, always, answer would be: To the goddess of luck!